The DaVinci Resolve Mini Panel comes in handy when a customer needs some additional work and I’m at home I can just do it right at that moment.
“I use the DaVinci Resolve Advanced Panel in the studio for all the ‘heavy work’ as the console gives me control of everything that can be found in the software. Yhamá has a DaVinci Resolve Mini Panel at Estudio Roco, while Santos has a DaVinci Resolve Advanced Panel at Chroma Hollywood and a DaVinci Resolve Mini Panel at home. Throughout the color grading process, Yhamá and Santos used the DaVinci Resolve Mini Panel and DaVinci Resolve Advanced Panel as part of their workflow. I used this to compare shots and navigate my timeline while grading, to ensure it matched the rest of the video and avoid it looking disjointed.” Yhamá continued, “This is something new that is such a huge help, especially when you add new content to what you’re already working with.
“It was as easy as copying and pasting the new scene from the new timeline to the original one.”īecause the new opening scene had not been color graded yet, the team took advantage of the multiple playheads feature. We relied completely on DaVinci Resolve 15 Studio’s new stacked timelines feature to drop the new scene in,” said Yhamá. When the video was close to being finalized, Mestiza Films sent over a new opening scene because the record label needed the video to be shorter for commercial use. “I focused on the neck, lips and overall skin tone to achieve that Hollywood style but also to keep it natural.” “These new plug ins were so easy to use and made the image look so much nicer,” said Santos. Because Mestiza Films and Carlos Vives liked their work and style, they decided to hire the duo for the “Mañana” video. Previously, Diego Yhamá, the project’s director and colorist at Estudio Roco, and Henry Santos, colorist at Chroma Hollywood, worked with Mestiza Films when color grading Vives’ music video for “Hoy Tengo Tiempo (Pinta Sensual)” using DaVinci Resolve Studio. Post production was divided between the two facilities in an effort to bring a Hollywood look to more Latin American productions. The video was directed and produced by Colombia’s Mestiza Films and finished by Colombia based post facility Estudio Roco in collaboration with Los Angeles’ Chroma Hollywood post studio.
For his new music video, Carlos decided to shoot at historic locations in Peru such as the Huaca Pucllana pyramid and Plaza de Armas of Lima, among others. With a career that spans nearly four decades, ten studio albums and five number ones in the Billboard Hot Latin Songs chart, Vives has made his mark in the music industry and has become globally recognized for his colorful and culturally rich visuals.
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